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BIBLIOGRAPHY



Arata, S. (2007). Realism. In Marshall, G. (Ed.). (2007). The Cambridge Companion to the Fin De Siècle (pp. 169-188). Cambridge: Cambridge University Press.

Baudelaire, C. (1863). The Painter of Modern Life. In Baudelaire, C. (2006). Selected Writings on Art and Literature (P.E. Charvet Trans.), (pp. 390-436). London: Penguin.

Baudelaire, C. (1998). Les Fleurs du Mal, (J. McGowan, Trans.). Oxford: Oxford University Press. (Original work published 1857).

Becker-Leckrone, M. (2002). Oscar Wilde: Aesthetics and Criticism. In Robbins, R., Wolfreys, J., & Womack, K. (Eds.). (2002). The Continuum Encyclopedia of Modern Criticism and Theory (pp. 658-665). New York: Continuum.

Beckson, K. (Ed.). (1970). Oscar Wilde: The Critical Heritage. London: Routledge & Kegan Paul.

Bell, M. (2007). The Metaphysics of Modernism. In Levenson, M. (Ed.). (2007). The Cambridge Companion to Modernism (pp. 9-32). Cambridge: Cambridge University Press.

Bendz, E. (1914). The Influence of Pater and Matthew Arnold in the Prose-Writings of Oscar Wilde. London: H. Grevel & Co.

Benjamin, W. (1939). On Some Motifs in Baudelaire. In Illuminations (H. Zorn. Trans.), (pp. 152-197). London: Fontana.

Berman, D. (1995). Introduction. In Schopenhauer, A. (1995). The World as Will and Idea (J. Berman, Trans.), (pp. xvii-xxxix). London: Everyman. (Original work published 1819).

Betjeman, J. (1937). The Arrest of Oscar Wilde at the Cadogan Hotel. In Ferguson, M., Salter, M.J. & Stallworthy, J. (Eds.). (2005). The Norton Anthology of Poetry (pp. 1461-1462). London: W.W. Norton & Company, Inc.

Calloway, S. (1997). Wilde and the Dandyism of the Senses. In Raby, P. (Ed.). (1997). The Cambridge Companion to Oscar Wilde (pp. 34-54). Cambridge: Cambridge University Press.

Caudwell, C. (1937). English Poets at the Time of the Industrial Revolution. In Lodge, D. (Ed.). (1972). Twentieth-Century Literary Criticism (pp.203-210). London: Longman.

Chambers, R. (1989). 1851, 2 December: Literature Deterritorialized. In Hollier, D. (Ed.). (1989). A New History of French Literature (pp. 710-716). Cambridge, Massachusetts: Harvard University Press.

Culler, J. (1993). Introduction. In Baudelaire, C. (1998). Les Fleurs du Mal, (J. McGowan, Trans.), (pp. viii-xxxvii). Oxford: Oxford University Press. (Original work published 1857).

Danson, L. (1997). Wilde as Critic and Theorist. In Raby, P. (Ed.). (1997). The Cambridge Companion to Oscar Wilde (pp. 80-95). Cambridge: Cambridge University Press.

Denisoff, D. (2007). Decadence and Aestheticism. In Marshall, G. (Ed.). (2007). The Cambridge Companion to the Fin De Siècle (pp. 31-52). Cambridge: Cambridge University Press.

Dickens, C. (1994a). Oliver Twist. London: Penguin Popular Classics. (Original work published 1837-9).

Dickens, C. (1994b). Hard Times. London: Penguin Popular Classics. (Original work published 1854).

Dickens, C. (1998). Great Expectations. Oxford: Oxford University Press. (Original work published 1860-1).

Doss-Davezac, S. (1996). Schopenhauer According to the Symbolists: The Philosophical Roots of Late Nineteenth-Century French Aesthetic Theory. In Jacquette, D. (Ed.), (1996). Schopenhauer, Philosophy, and the Arts (pp. 249-276). Cambridge: Cambridge University Press.

Dowling, L. (1996). The Vulgarisation of Art: Victorians and Aesthetic Democracy. Virginia: University of Virginia Press.

Drew, J.M.L. (2001). Introduction. In Wilde, O. (2001). The Picture of Dorian Gray (pp. v-xxxii). Hertfordshire: Wordsworth Editions. (Original work published 1890).

Eagleton, T. (2005). Literary Theory: An Introduction. Oxford: Blackwell.

Ellis, H. (1969). Introduction. In Huysmans, J.K. (1997). A Rebours. New York: Dover Publications, Inc. (Original work published 1884).

Ellmann, R. (1987). Oscar Wilde. London: Penguin.

Engels, F. & Marx, K. (1998). The Communist Manifesto. Oxford: Oxford World Classics. (Original work published 1848).

Farmer, A.J. (1931). Walter Pater as a Critic of English Literature. A Study of "Appreciations.". Grenoble: Didier & Richard.

Foldy, M.S. (1997). The Trials of Oscar Wilde: Deviance, Morality and Late-Victorian Society. New Haven: Yale University Press.

Forster, E.M. (1987). Maurice. London: Penguin. (Original work published 1971).

Fortunato, P.L. (2007). Philosophy with a Needle and Thread: The Aesthetics of Fashion in Baudelaire, Wilde, and Tomson/Watson. In Fortunato, P.L. (2007). Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde (pp.61-86). New York: Routledge.

Fraser, H. (1986). Beauty and Belief: Aesthetics and Religion in Victorian Literature. Cambridge: Cambridge University Press.

Gagnier, R. (1997). Wilde and the Victorians. In Raby, P. (Ed.). (1997). The Cambridge Companion to Oscar Wilde (pp. 18-33). Cambridge: Cambridge University Press.

Gaskell, E. (1994). North and South. London: Penguin Popular Classics. (Original work published 1855).

Gaudon, J. (1989). 1827, December: Drama. In Hollier, D. (Ed.). (1989). A New History of French Literature (pp. 644-648). Cambridge, Massachusetts: Harvard University Press.

Gautier, T. (1981). Mademoiselle de Maupin, (J. Richardson, Trans.). Harmondsworth: Penguin. (Original work published 1835).

Gibson, M. (2006). Symbolism, (G. Néret, Ed.). Köln: Taschen.

Hart-Davis, R. (Ed.). (1989). Selected Letters of Oscar Wilde. Oxford: Oxford University Press.

Hayes, K.J. (2006). One-Man Modernist. In Hayes, K.J. (Ed.). (2006). The Cambridge Companion to Edgar Allan Poe (pp. 225-240). Cambridge: Cambridge University Press.

Hollier, D. (Ed.). (1989). A New History of French Literature. Cambridge, Massachusetts: Harvard University Press.

House, H. (1965). The Dickens World. Oxford: Oxford University Press. (Original work published 1941).

Howells, B. (1996). Baudelaire: Individualism, Dandyism and the Philosophy of History. Oxford: Legenda.

Humphries, J. (1989). 1884: Decadence. In Hollier, D. (Ed.). (1989). A New History of French Literature (pp. 785-788). Cambridge, Massachusetts: Harvard University Press.

Hurley, K. (2002). British Gothic Fiction, 1885-1930. In Hogle, J.E. (Ed.). (2002). The Cambridge Companion to Gothic Fiction (pp. 189-209). Cambridge: Cambridge University Press.

Huysmans, J.K. (1997). A Rebours. New York: Dover Publications, Inc. (Original work published 1884).

Hyde, H.M. (1976). Oscar Wilde, A Biography. London: Eyre Methuen.

Jacquette, D. (Ed.), (1996). Schopenhauer, Philosophy, and the Arts. Cambridge: Cambridge University Press.

Johnson, B. (1989). 1866: The Dream of Stone. In Hollier, D. (Ed.). (1989). A New History of French Literature (pp. 743-747). Cambridge, Massachusetts: Harvard University Press.

Knox, I. (1978). Aesthetic Theories of Kant, Hegel and Schopenhauer. Brighton: Harvester Press.

Krukowski, L. (1992). Aesthetic Legacies. Philadelphia: Temple University Press.

Ladd, H. (1968). The Victorian Morality of Art; An Analysis of Ruskin's Esthetic. New York: Octagon Books.

Leer, D.V. (1998). Introduction. In Poe, E.A. (1998). Selected Tales (pp. vii-xxi). Oxford: Oxford University Press.

Levine, G. (1981). The Realistic Imagination. In Walder, D. (Ed.). (2005). Approaching Literature: The Realist Novel (pp. 240-245). Abingdon, Oxon: Routledge.

Marquis of Queensbury and His Son Have a Fight in the Street. (1895, May 22). The New York Times. Retrieved April 10, 2009 from the New York Times website.

Marshall, G. (Ed.). (2007). The Cambridge Companion to the Fin De Siècle. Cambridge: Cambridge University Press.

Marx, K. (1844). The Economic and Philosophic Manuscripts. In Marx, K. (1992). Early Writings, (R, Livingstone & G Benton Trans), (pp. 279-400). London: Penguin Classics.

Mill, J.S. (2005). On Liberty. New York: Cosimo. (Original work published 1859).

Nordau, M. (1993). Degeneration. Lincoln: University of Nebraska Press. (Original work published 1892).

Ojala, A. (1954). Aestheticism and Oscar Wilde, Part I: Life and Letters, Helsinki: Suomalaisen.

Ojala, A. (1955). Aestheticism and Oscar Wilde, Part I: Literary Style, Helsinki: Suomalaisen.

Orwell, G. (1940). Inside the Whale. In Wall, S. (Ed.). (1970). Charles Dickens: A Critical Anthology (pp. 297-8). Harmondsworth: Penguin.

Pater, W. (1998). The Renaissance: Studies in Art and Poetry. Middlesex: Senate. (Original work published 1873).

Peters, R. L. (1965). The Crowns of Apollo: Swinburne's Principles of Literature and Art; A Study in Victorian Criticism and Aesthetics. Detroit: Wayne State University Press.

Pittock, M. (1993). Spectrum of Decadence: The Literature of the 1890s. London: Routledge.

Poe, E.A. (1845). The Man of the Crowd. In Poe, E.A. (1998). Selected Tales. Oxford: Oxford University Press.

Poe, E.A. (1850). The Poetic Principle. Retrieved April 2, 2009, from the Edgar Allan Poe Society of Baltimore website: www.eapoe.org/works/essays/poetprnb.htm.

Poe, E.A. (1998). Selected Tales. Oxford: Oxford University Press.

Polonsky, R. (2006). Poe's Aesthetic Theory. In Hayes, K.J. (Ed.). (2006). The Cambridge Companion to Edgar Allan Poe (pp. 42-56). Cambridge: Cambridge University Press.

Porter, L.M. (1997). Decadence and the Fin-De-Siècle Novel. In Unwin, T. (Ed.). (1997). The Cambridge Companion to the French Novel, from 1800 to the Present (pp. 93-110). Cambridge: Cambridge University Press.

Raby, P. (Ed.). (1997). The Cambridge Companion to Oscar Wilde. Cambridge: Cambridge University Press.

Richardson, J. (1981). Introduction. In Gautier, T. (1981). Mademoiselle de Maupin, (J. Richardson, Trans.). Harmondsworth: Penguin. (Original work published 1835).

Satzinger, C. (1994). The French Influences on Oscar Wilde's The Picture of Dorian Gray and Salome. Lewiston, N.Y: The Edwin Mellen Press.

Schopenhauer, A. (1995). The World as Will and Idea, (J. Berman, Trans.). London: Everyman. (Original work published 1819).

Stevenson, R.L. (1994). Dr Jekyll and Mr Hyde. London: Penguin. (Original work published 1886).

Stuart Mason, S. (1908). Oscar Wilde. Art and Morality: A Defence of "The Picture of Dorian Gray". London: J. Jacobs.

Swinburne, A.C. (1868). William Blake: A Critical Essay. London: J.C. Hotten.

Tennyson, A. (1897). Untitled. In Tennyson, H. (1897). Alfred Lord Tennyson: A Memoir by His Son (p. 92). London: Macmillan & Co.

The Yellow Book: An Illustrated Quarterly. Vol, I.-April, 1894. [Electronic version]. London: Elkin Mathews & John Lane.

Thomas, D.W. (2003). Cultivating Victorians: Liberal Culture and the Aesthetic. Philadelphia: University of Pennsylvania Press.

Unwin, T. (Ed.). (1997). The Cambridge Companion to the French Novel, from 1800 to the Present. Cambridge: Cambridge University Press.

West, S. (2007). The Visual Arts. In Marshall, G. (Ed.). (2007). The Cambridge Companion to the Fin De Siècle (pp. 131-152). Cambridge: Cambridge University Press.

Whistler, J.M. (1953). The Gentle Art of Making Enemies. London: William Heinemann Ltd. (Original work published 1890).

Wilde, O. (1891a). The Soul of Man Under Socialism. In Wilde, O. (1997). The Collected Works of Oscar Wilde (pp.1039-1066). Hertfordshire: Wordsworth Editions.

Wilde, O. (1891b). The Critic as Artist. In Wilde, O. (1997). The Collected Works of Oscar Wilde (pp.1039-1066). Hertfordshire: Wordsworth Editions.

Wilde, O. (1897). The Ballad of Reading Gaol. In Wilde, O. (1997). The Collected Works of Oscar Wilde (pp. 891-909) . Hertfordshire: Wordsworth Editions.

Wilde, O. (1905). De Profundis. In Wilde, O. (1997). The Collected Works of Oscar Wilde (pp. 1067-1098). Hertfordshire: Wordsworth Editions.

Wilde, O. (1994). The Importance of Being Ernest. London: Penguin. (Original work published 1895).

Wilde, O. (1996). A Woman of No Importance. London: Penguin. (Original work published 1893).

Wilde, O. (2000). An Ideal Husband. New York: Dover Publications, Inc. (Original work published 1895).

Wilde, O. (2001). The Picture of Dorian Gray. Hertfordshire: Wordsworth Editions. (Original work published 1890).

Williams, R. (1961). Culture and Society, 1780-1950. Harmondsworth: Penguin.

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